Harley Quinn Episode Review S01:E02

REVIEW BY ZACH SMITH

Episode 2 of last week’s biggest surprise – DC Universe’s Harley Quinn – has dropped; and now that the trepidation of determining it’s initial quality is gone, the question has now become, “Can the show keep its momentum?”

Harley Quinn Episode Review S01:E01

REVIEW BY ZACH SMITH

Episode 1 of Harley Quinn, DC Universe’s newest addition to their slate of in-house original programming, has landed. Read on to find out if it kills or if it’s the butt of the joke.

Titans Episode Review S01: E09

Welp, let’s chalk another one up in the “I-stand-corrected” column that started with Episode 8 of Titans — though this instance of correction is much less pleasing than the previous one. If you journey back to my review of Episode 2, “Hawk and Dove”, you’ll read that I quite liked the dynamic between Hank and Dawn, the committed couple that had a penchant for vigilante justice. Their dialogue wasn’t the greatest, but the relationship felt sincere and came as nice distraction from the then already strained focus on Dick and Rachel. I remarked that I would “very much enjoy seeing their evolution as people – provided the writers felt up to the task.” Unbeknownst to me, the best time to insert that evolution — a fairly thin version of it at that — was in the middle of the season’s climax.

Episode 9, titled “Hank and Dawn”, seemingly abandons what felt like a pretty important event to return to where we last left the couple. Hank is mourning over a now comatose Dawn, and the show takes this as the opportune time for a flashback. It’s here where we’re given glimpses into the duo’s past, with Hank’s relationship with his brother taking up the majority of it. The results of this journey into the past are mixed at best; and while its placement in the season certainly bares some of the blame for that, the biggest culprit is a lazy and predictable script.

The episode starts off promisingly as we’re treated to some heavy backstory for Hank and his younger brother, Don, that really fleshes out Hank’s character. The struggles he endures adds a nice layer and new meaning to the man’s showboat bravado. Even Dawn gets a neat intro — though the details are haphazardly tossed around — that shows more of her dominant-yet-caring nature and her upbringing. All good things must come to an end, however, and that “end” happens to come at the halfway-point of the episode. The transition is shocking and, in more concerned hands, could have been a hard segue into a very introspective and painful third act. In actuality, it ends up being nothing more than just shocking.

From there, the script abandons its straight-forward character building in favor of a crudely-structured attempt at catharsis. The final half of the episode tries to explain what brings our two “love-birds” (sorry) together, but it ends up being very rushed and borderline laughable. If you thought the Kory/ Dick sex-scene was cringe-worthy, you’re in for a real treat. Nothing says “mood-setting” like beating up pedophiles.

In terms of how this episode relates to the main plot, it’s hard to say. There’s very little going on here that ties into current-timeline Titans, aside from a few brief appearances of Rachel in the form of “dream-visions”, but what significance these appearances have remains to be seen. In any case, the groundwork they lay is interesting.

Two episodes. There are two episodes left in Season 1 of Titans. Why then, I ask you, are we still doing these off-shoot episodes? Frankly, this feels more like a pilot for a Hawk and Dove show than it does an episode of Titans; and while that’s certainly an enticing prospect, it doesn’t belong here. What’s worse is that they don’t even get a full, proper treatment. As enjoyable as the first half of the episode is, the goodwill built by it and Episode 2 is squandered in the second half for no payoff. The two eponymous characters feel worse off, and the momentum that the main plot gained from the previous episode has now slowed to a crawl.

5/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E08

After watching Episode 8 of Titans — titled “Donna Troy” — I can only ask myself one question. Where has this quality been all season? Why have we been flip-flopping between “plot episodes” and “character episodes” when, as made clear by this week’s episode, an effective combination of the two could be so easily accomplished?

After some much needed recouping from the hell that was the Asylum, the team has to move on from squatting in Batman’s safehouse. Dick is feeling a little lost at this point, so he decides to head off on his own for a little while, with the rest of the group migrating to a house that may or may not belong to Rachel’s birth-mother. From there, the story is divided between two paths — one in which Dick pals around with Donna Troy and one in which everyone else is stuck on a train for the majority of the episode.

Character-building is the best it has been all season with everyone getting something concrete and interesting added to their identities. Even though Gar gets the short-stick again, the subtle nuance in his body-language and mood is a prime example of the old adage, “Show don’t tell.” It’s executed so effortlessly that, again, it’s a shame it’s so underutilized. Rachel’s development is a tad stagnant, but it’s exploring what seems like an earnest relationship between her and her birth-mother. This will most likely end badly for Rachel, but the show is investing time into that relationship to make that eventual turn much more effective — you know, how you should generally build character dynamics.

Conor Leslie as Donna Troy is great, and her friendship/ confidante-role with Dick is something new for the brooding hero. The main issue with Dick’s character so far is that it’s pretty one-note; beyond being angry or sad, we haven’t seen Dick really be a person. Donna helps show how much of a character Dick can actually be. He’s inquisitive, he’s vulnerable, and — gasp — funny. There’s a throw-away gag about a well-known Batman villain that not only had me chuckling but also further illustrated Dick’s inability to just live life. He’s constantly in “vigilante-mode” due to Bruce’s own obsession, and this kind of multipurpose story-telling is littered throughout the episode. It’s simply a breath of fresh air.

This leads into Kory’s portion of the episode, and on it’s own, it’s a fine internal character struggle. I derided her treatment in the last episode as serving no purpose, and I’ll be the first to admit that some patience would have benefited my viewing (though the show has mustered very little goodwill in that department). We do see that Kory has by no means escaped her torture unscathed, with the experiments sort of unlocking PTSD-laden memories from her past. Kory struggles with these new, painful memories that exacerbate her worst tendencies — paranoia and violence — and that makes sense. It’s when her seemingly unrelated  narrative coalesces with Dick’s that everything really clicks. It’s bit of a deus ex machina, but it ultimately serves the a purpose and is, frankly, fun.

Episode 8 is, so far, the best Titans episode to date. It expertly weaves plots, character motivations, and relationships that would normally all be relegated to separate episodes. It’s exactly what a show about a team should be — all of our heroes being connected even when they’re apart. It’s a little late in the game to say this will be the turn-around for the show as a whole, but it’s a shining example of what Season 2 can aspire to be.

9/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E07

Episode 7 of Titans — or “Asylum” — is a strange product. Along with “Together”, it’s probably a pretty good representation of what the show will be if it ever decides to actually be a show about the Titans, rather than a show about Dick Grayson. Yet it’s also more evidence for how truly thin the show’s plot is, despite it having so much potential.

The episode starts off on the right foot. We get a bit of insight from Adamson concerning what he and his group want with Rachel, as well as the knowledge that her mother (original, not adoptive) is alive and being held captive in a secret facility. Following this, mistakes are made, and the quartet find themselves captured and subjected to various types of torture.

This is where the episode starts to devolve. Kory and Gar are once again shortchanged in favor of a larger focus being placed on how these events affect Rachel and Dick, the prior of which at least makes sense in the context of the episode. We’re starting to see glimpses of what a confident Raven looks like and how her powers can be more than just a cloud of evil smoke. The methodical evolving of her character into a quietly terrifying force of nature is truly gripping and probably the high-point of the episode, if only because Gar’s development didn’t have the proper foundation leading into it. In fact, Episode 7 is a true testament to just how much Beast Boy has been neglected by the writers, squandering a truly devastating character arc for him in the process. The result of his torture is tragic and will likely last past the end of the first season, but the gravity of this is at odds with how little attention is paid towards it.

It’s still better than Kory being merely relegated to the body-horror portion of the proceedings. She gains nothing from the pain she endures, except for possibly the knowledge that she can heal quickly; but this isn’t “character development”, it’s “power development”. In reality, she’s just laying on a table for the majority of the episode. It’s like if Eli Roth did a “made-for-TV” movie; there’s no ultimate rhyme or reason for this character to suffer the way she does. That’s not a larger point being made either — like “sometimes there is no reason” — because everyone else has some sort of an attempt at character development accompanying their imprisonment. Even if Dick’s is the same thing they’ve been telling us for what seems like A THOUSAND EPISODES, there is still an objective at play.

And while all of this results in a neat climax, it kind of feels like any of the build we had for the show’s antagonist — what little there was — was just tossed aside. This seems like a definitive end to a story arc, which is incredibly confusing and unsatisfying. The show needed to have started really hammering us with a true villain two weeks ago, and instead, it looks like we’ll be starting from square one next week. I am legitimately stumped as to how we’re expected to have any sort of investment in a singular villain going forward. Why even bother at this point? If the show is really supposed to be what I felt like last week’s episode was (“Monster-of-the-Week”), then it should just lean into that. Don’t attempt this quasi-vacuum experiment in which the larger narrative only matters occasionally because, the fact of the matter is, the season isn’t long enough to do that.

Titans has so much potential, and every episode offers passing moments of that potential being realized. Which makes it so frustrating when the show continues to waste it so wantonly. This feels like such an easy fix, but it’s so ingrained at this point that it would take drastic measures to properly course-correct. For crying out loud, Dick Grayson is the main character of ANOTHER EPISODE next week! This show is called Titans, right?

5/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review: S01: E06

Another week, another new episode of Titans. This episode, titled (rather unceremoniously) “Jason Todd”, picks up immediately after the closing moments of the last. Focusing almost entirely on the new and strained relationship between Old-Robin, a.k.a. Dick Grayson, and New-Robin, a.k.a. Jason Todd, the episode follows the duo as they attempt to track down a serial killer who has a penchant for acid-baths, and as luck would have it, his sights are set on Dick. Kory, Rachel, and Gar make minimal appearances, though they do contribute a few good laughs.

First, let me just say that I did, overall, like this episode. It focuses on one major conflict, with that conflict being character driven, and nearly every action serves the purpose of pushing that conflict to its logical conclusion. It’s well-crafted, it’s evenly-paced, and it’s engaging. Curran Walters turns in a performance as Jason Todd that is decidedly his own, albeit a tad cheesy. The character is clear foil to Dick Grayson, and Walters uses a style that is both energetic and laissez-faire to accentuate that idea. While Dick is generally contemplative and solemn about his upbringing as Bruce Wayne’s ward, Jason is outwardly excited and grateful for it. Whether or not Bruce does more harm than good with his adoption and subsequent use of orphans in his fight against crime is not a new line of debate, but it’s still effective and, in this instance, boiled down to the important talking points.

All of this introspection, however, is to the detriment of the episode’s villain. He serves no purpose other than to continue the “Monster-of-the-Week”-formula that is still severely crippling the show, and the climax of the whole thing is such a one-note affair that you could practically sleep through it without missing a beat. This isn’t anything new to the narrative strategy that the writers have taken with the show, but at least with earlier episodes it was still vaguely connected to the overall plot. With both the character development and active threat being almost entirely removed from the show’s main story, what exactly does this episode contribute?

At this point, the show is on its second half, and as such, we should be building towards a central threat and, ultimately, a satisfying conclusion. Yet, I find myself asking this week, “What purpose does this serve?” Why is it that, with no proper antagonist other than the vaguely defined “Them” referenced by Anderson in Episode 5, we’ve devoted a whole episode to saying, once again, “Dick doesn’t like Batman.” That is, perhaps, an oversimplification of the internal struggle that Dick goes through when faced with his replacement and what it means to him; but at the end of the day, it’s a development that doesn’t fit in the spot it’s been given. This would have worked better either earlier in Season 1 or at the beginning of Season 2. Make no mistake, in a vacuum, Episode 6 is one of the better episodes of the series thus far. However, as a piece of a larger story, it never manages to become anything more than filler.

7/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E05

It’s been an interesting road for Titans up until now. With eleven episodes planned for the season, Episode 5 — or “Together” — marks the closest thing to a “half-way point” the show is going to have. So how does that point fare? Well, it’s nothing spectacular, but it does at least continue the trend of being “potato chips” (take a look at my review for Episode 4, if that throws you for a loop). That being said, there is one major slip-up that the episode makes that could very well irreparably damage the show as whole.

Before we get too carried away, however, let’s recap. Following a series of events, which include but are not limited to both blowing up a church and meeting a fully cognizant robot, all of our main players are now in one place. Dick takes this as an opportunity for the “team” become more familiar with their own abilities. There’s only one problem: a renewed Nuclear Family is hot on their trail. Suffice it to say, the results are explosive.

So let’s start with the good. First, the show is immensely more enjoyable when it has everyone in one spot. It feels more organic when a character is allowed to focus on more than one problem, something that becomes easier the more people someone can interact with. Granted, everyone sort of gets the short end of the stick compared to Dick Grayson, but they still have different stories building at the same time. Frankly, it adds some nuance to the decidedly straight-forward proceedings.

Without getting too close to spoilers, the choreography in this episode is quite good as well. Unlike the infamous alleyway fight from Episode 1, movement doesn’t feel as jerky or sped-up here. Camera cuts are fast, but not so fast as to be confusing. There is a slight dip in quality midway through one fight scene…a dip that, at least in terms of what this point entails, doesn’t really make a whole lot of narrative sense. However, even that is miles ahead of what we’ve seen up until now, and the quality also ramps back up after a brief interlude.

Now, what about the bad? Well perhaps the most pressing is that, at this point, the show seems to be meandering quite a bit. After Episode 3, it felt like we were on the cusp of getting some sort of answers, and I forgave the slow build-up to that point because of course you can’t have everything all at once. Yet, two episodes later, and we really don’t have any new knowledge in terms of the larger, overarching plot. On top of that, it doesn’t seem like the show even knows how or when it’s going to divulge something critical. The whole affair is somewhat of a confusing mess, and it feels like the writers are just going to keep stringing us along until Episode 9.

And as for my not-at-all-hyperbolic position of the show being in ruins due to ONE decision? Well, depending on who you ask, it may not be as doom-and-gloom as that, but it is indicative of a larger problem in terms of character-building. There is one interaction between two characters that, if you know anything about the source material, is not exactly a surprise, but is also done so haphazardly and hastily that you might get whiplash from seeing it. This is something, that if played right, would have been an easy home-run — something so expected yet hoped-for that it wouldn’t have mattered if it didn’t have the best lead-up. Instead, the writers opted for NO lead-up whatsoever. It’s a nonchalant rush to the finish, and it makes about as much sense as that phrase.

So, yes, Episode 5 is a glimpse at what the entire show is leading to — a fully-functioning Titans squad — and that’s very exciting. Despite all of the show’s problems when it comes to its script, CG, or just acting in general, it still knows how to relish in the fun of finally throwing all of its heroes together (sorry, I couldn’t resist). However, it still can’t seem to get past its extremely lacking writing quality and character development. In earlier episodes, it was just something to hopefully chalk up to growing pains, but as we approach that 60%-mark, the show desperately needs to find something to give us that’s more worthwhile than just, “These are the Teen Titans you know…with a twist!”

6/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E04

Titans is quickly becoming the television equivalent of potato chips; there’s no substance and it’s not very good for you, but it’s pretty tasty and I would definitely eat two family-sized bags in one sitting if DC let me. To that end, while Episode 4 of the series — titled “Doom Patrol” — is still good, it does feel like it somewhat wastes the momentum the show had coming out of Episode 3.

Jumping in, Rachel has just blown up a convent (subtle, eh?) that was holding her captive and is now running through its backyard-forest. Soon, she’s intercepted by Gar Logan, a.k.a. Beast Boy, who takes her to his home to hide out. It’s here where we’re introduced to a ragtag bunch of misfits who are hiding out to avoid persecution for their physical abnormalities. Those who know better will recognize these characters as Robotman, Negative Man, and Elastic Girl.

I really enjoyed the banter and lighter tone that this partial Doom Patrol lent to the episode, and I think Geoff Johns (the episode’s sole writer) did what he could to keep it enjoyable while very minimally pushing the narrative forward. And while, yes, there is very little of consequence that occurs throughout the hour-long run-time, I get why it had to happen this way. At least while nothing was happening, most of the dialogue (that wasn’t coming out of Dick Grayson’s mouth) was fun. It seems fairly obvious that the Doom Patrol series that’s slated for 2019 will most likely take a few cues from Marvel’s Guardians of the Galaxy films (honestly, what ensemble-driven media isn’t?), but hey, if it works — which in this case, it does — I say go for it.

Jokes and unlikely companions can only do so much, however, and that’s a lot of heavy lifting for, admittedly, fairly weak concepts. No matter how effective such tertiary details are, any problems with the primary events are going to somewhat overshadow them. That’s not to say that this episode is bad — far from it. It has a decently intriguing plot and it’s probably the best episode in terms of “pace” so far. However, much of it is just sort of “fluff”. Rachel feeling confident enough to voluntarily use her powers is certainly an interesting development, but that 30-second exchange is essentially the biggest take away from the episode until the VERY end. Even that ending borders on amounting to nothing because it’s something that anyone who has a passing understanding of the property, or even someone who has only ever seen Teen Titans Go! To the Movies, knows is going to happen at some point.

Additionally, the show-runners are going to have to come up with different things for Rachel to do other than the same thing she’s be doing for four episodes now. Her entire narrative up to this point can be summed up by this sequence: girl is upset and skeptical of new person, girl learns to trust, girl shows kindness despite being literally possessed by Evil incarnate, girl finds herself restrained or in a situation in which she must now use her dark powers, girl learns that maybe you shouldn’t trust EVERYONE. Lather, rinse, repeat. Thankfully, it does look like we’ll be switching gears starting in the next episode, but for the good of the show, this formula needs to go away for a very long time.

When it’s all said and done, however, I do think the show has finally hit its stride. While it’s not as bombastic and tense as the previous episode, Episode 4 is still very enjoyable even when nothing is really happening. As long as these chips keep tasting this good, I’ll keep stuffing my face.

7/ 10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E03

“Third time’s a charm,” or so they say, and the third episode of Titans, titled “Origins” makes a pretty solid argument in favor of that. DCUniverse’s premier “belle-of-the-ball” had a bit of a rocky start, but it seems to have, thankfully, begun its upswing. Episode 3 still has a few problems, but they’re minor and ultimately inconsequential.

In “Origins”, we pick up immediately where we left off at the end of Episode 2, with the fallout of The Nuclear Family’s attack on our heroes being the jumping point. From there, however, the show starts to dive into what seems to be the crux of the season, “Who is Rachel Roth?” While much of the info that we’re given isn’t exactly new for comic fans, it is nonetheless exciting to be exploring a central plot and committing to moving the story forward.

While it abandons the more focused lens that was present in Episode 2 in favor of returning to showcasing multiple team members, the direction doesn’t feel as hectic and scattered as it did in Episode 1 either. Nothing feels out of place or random, and transitions between characters are much more cohesive. This makes for a good pace and the episode never really feels like it’s dragging.

The last two episodes haven’t done much in terms of forward momentum, but Episode 3 really pushes the narrative; it’s very much a welcome relief to be moving away from thin exposition. Plot details come fast and characters feel fully realized, rather than the vague, one-note standees that they have been. Motivations make sense, reactions are understandable, and everyone finally takes a beat to somewhat digest the situation with the viewer.

Much of the plot movement can be attributed to Kory Anders (a.k.a. Starfire) being present in a more significant way and not just murdering some Russian thugs. Anna Diop’s off-kilter, amnesiac version of the character is a little strange at first, but the approach is different and promises something interesting for the future. In fact, all three of the main characters that are on display in Episode 3 (Beast Boy only makes a brief appearance, once again) are at their best in terms effectiveness. Dick gets the short end of the stick, but he does get some interesting flashbacks that further flesh out his childhood.

It’s not all perfect – the horrendous CG makes a return appearance and even somehow manages to be laughable this time around. Think Harry Potter and the Sorcerer’s Stone, which came out in 2001, and that’s the quality we’re getting now – with a new show – in 2018. The script is still tripping over itself as well, though the cringe-worthy dialog isn’t as prevalent as it has been. At some points, it actually seems to relish in the idea of being in so-bad-it’s-good territory, but overall, hits somewhere between “serviceable” and “inoffensive”.

None of this was bad enough to make me stop watching, however, or even make me stop enjoying myself. If the rest of Titans is at least the minimum quality that Episode 3 has established, there’s a lot to look forward to every Friday now.

8/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01: E02

After the series premier of Titans, I was cautiously optimistic about the trajectory of the show. It definitely had room to improve, but it seemed to get off on the right foot. Episode 2, titled “Hawk and Dove”, is another step in the right direction, albeit while still stumbling on the same major problems that were present in the first episode.

This episode strictly follows Dick Grayson and Rachel, a.k.a. Raven, and introduces two new faces to the proceedings – the eponymous Hawk and Dove. Despite the end of Episode 1, Beast Boy makes no appearance and Starfire is completely absent, which is kind of nice because it allows for a more focused story this go-around. Hawk and Dove do have their own limited narrative, but it’s nested within Dick and Rachel’s attempts to understand what’s happening with her latent powers.

Speaking of Rachel, as of Episode 2, the troubled teen’s story is already running into issues. The most telling of which being that any transition away from Hawk and Dove felt tiring. Whether it be Rachel just being, frankly, uninteresting as a character or her mystery not taking any meaningful steps forward, her scenes with Dick are kind of boring. They can only have the same conversation so many times before it starts to become white-noise. It also doesn’t help that these two leads feel very wooden; Brenton Thwaites has no urgency and Teagan Croft has no subtlety. The resulting interactions feel kind of like a mix between a text-to-voice app and a soap opera. This, for obvious reasons, never works.

Once again, the writing really feels like it was thrown together in a day, and I fear this will be a persistent problem throughout the series. There are Man-of-Steel-sized leaps in logic, most of the dialogue feels stilted and forced, and little to no attention is paid to what is actually happening outside of “the moment”.  There’s no room to breathe and get a feel for the characters beyond one word descriptors. True enough, it’s only the second episode, but there should be something that we’re continually learning about these people. Yet, unless they’re new characters, everyone on display feels stagnant; ancillary characters that have had about ten minutes of screen-time across the first two episodes feel like they’re on the same developmental level as our main characters. There’s a real opportunity for a well-crafted character-driven show if the writers had any sort of confidence in the viewer. Not a single scene can go by without everyone on screen taking a beat to virtually look straight at the camera and say, “DON’T FORGET ABOUT RAVEN, GUYS. ALSO, DICK IS REALLY ANGRY NOW, REMEMBER?”

Which is a bummer considering the glimpses of what could be with Hawk and Dove. While not perfect, the interaction and chemistry between the two aforementioned heroes makes this episode much more enjoyable than the first. They keep the plot grounded in a central location for a while and provide a much-needed break from the Raven stuff, even if she is still always lurking around the corner. Most importantly, I actually kind of had fun with this episode, despite its flaws – and that’s just because of some minimal work between two secondary characters. Their choreography was frenetic, their dialogue, while not Shakespearean, was at least interesting, and it actually felt like there was a reason to root for them other than, “They’re the good guys.” Their presence in the show is left seeming like it might fluctuate by the end of this episode, but I would very much enjoy seeing their evolution as people – provided the writers felt up to the task.

6/10

Titans is released every Friday only on DCUniverse!

Titans Episode Review S01:E01

It’s fair to say that DC Universe’s Titans comes with a lot of baggage. It’s the streaming service’s first truly exclusive content – meaning its success or failure will likely shape the production of most, if not all, of the in-house projects down the line – and it’s safe to assume that the show is shouldering much of the responsibility of proving the viability of a “DC-only” streaming service. As if that weren’t enough, the show’s trailer didn’t exactly create the best kind of buzz for itself.

With all of this in mind, I sat down to watch Episode 1 of Titans with a certain amount of trepidation, and while the premier certainly stumbles in places, the outcome is less of a “train-wreck” and more of a “fender-bender”.

Overall, this is pretty standard-fare for a pilot episode – we’re introduced to most of our main players, there’s a focal problem that is solved by the end of the episode, and hints to a larger plot are bread-crumbed throughout. In terms of this basic structure, it mostly works. By the end, the prevailing question of the episode is, “What’s going to happen next?”

There’s some good world-building going on here, as the show is distinctly its own thing that has its own history, but there are enough nods and allusions to familiar faces and names to keep a casual DC fan grounded. As derided as this version of Dick Grayson was upon the reveal of the infamous trailer, he is fairly different from the version most are familiar with – which in the very least is something that will stay interesting for a few episodes. This version of Starfire, or Kory Anders, is also intriguing, as she may or may not enjoy burning people alive – it’s unclear. Raven is probably the weakest link in terms of being different since that difference is she’s just really young, but it’s still something.

There are definite problems with the structure, however, with the jumping between Dick Grayson’s Detroit and Kory Anders’ Austria being the most jarring transitions. Proceedings feel quite disjointed and unrefined, almost as if we’re seeing the results of filming a second draft of the script, rather than the fourth and final one. This can also be attributed to the idea of “too many cooks”. Geoff Johns is undoubtedly a great name to have behind the show, and Akiva Goldsman (A Beautiful Mind, Cinderella Man) and Greg Berlanti (Riverdale, Arrow) bring in their own virtues; however, there’s no consistency between the three writers and this ends up detracting from the final product.

Consistency, as it stands, is the largest hurdle the episode struggles to overcome unsuccessfully. Along with the slap-dash writing, a clear tone is never truly established. From an angst-fueled Robin severely injuring a group of drug-dealers and dropping F-bombs to an upbeat rock song being played over Raven undergoing what can only be described as emotional turmoil, the episode can’t seem to figure out how it wants the viewer to feel. Is this playing the edgy, “grim-dark” approach straight, or is this a façade for something coyer? Maybe this was intentional and later episodes will make that more apparent, but it doesn’t work in an isolated setting.

The less said about the CG the better – it’s quite bad throughout the episode, with the worst of it being the “stinger” (if you can even call it that) for the next episode, which doesn’t bode well for the series’ CG as a whole since it’s Beast Boy and changing form is kind of his whole deal.

The acting is also pretty hit-or-miss, with the best of the cast being merely palatable and the worst of them being “oh-God-please-stop”. Much of the latter belongs to Teagan Croft’s portrayal as Raven, which is an unfortunate starting point for the character that appears to be at center of the season’s conflict. It remains to be seen as to whether or not this is just another consequence of the sub-par script.

Indeed, time will tell whether or not the problems present within the first episode are just growing pains or things that will define the series as a whole. There are definitely some dents in this ride that need to be hammered out, but I feel like the guts are strong enough to keep most engaged until the show finds its footing a few episodes from now.

5/10

Titans is released every Friday only on DCUniverse!