There is nothing Batman hates more than a mystery. He became a master detective, not because he relishes solving a puzzle, but because he cannot bear to be ignorant. That was to be his downfall and the downfall of the multiverse.
Because Batman could not leave well enough alone, his efforts to solve a mystery tied into the ancient Court of Owls who had manipulated him all of his life and Gotham City for generations led to Bruce Wayne becoming the gateway to somewhere dark… a multiverse made up of all the worlds where the heroes were a second too late. Where the good guys became greater monsters than the villains they fought. Where evil triumphed in the end and the world fell into oblivion.
Seven Dark Knights came forth. Seven versions of Bruce Wayne that fell to the darkness. Seven versions of Bruce Wayne who had been denied the light and were determined to see it destroyed…
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Building off the mythology established in their now legendary run on Batman, it should be no surprise that Scott Snyder and Greg Capullo have delivered a story as epic as any we could have imagined with Dark Nights: Metal. The most truly miraculous aspect of this third issue, however, is how accessible it is to any reader who failed to pick up the first two issues. Every aspect of the story so far is explained, from how Batman’s actions have caused the current crisis to the events of the related Gotham Resistance story line that ran through the Teen Titans, Nightwing, Suicide Squad and Green Arrow series. It’s a novel touch and one more mini-series should indulge in for the benefit of those readers who were late to the party but don’t want to wait for the trade paperback collection.
Scott Snyder’s script for this issue is a masterwork, easily introducing obscure new characters such as The Nightmaster and Detective Chimp into the narrative with no fuss, muss or confusion at all. While much of the issue is concerned with exposition and setting up the next series of action events, the dialogue masks that fact very well and it’s amusing to read all the characters playing off of one another.
Greg Capullo is also at the top of his game here. Capullo has altered his usual penciling style somewhat, forging a new aesthetic inspired by the works of Frank Frazetta. Despite the generally dark coloration and heavy inks (courtesy of FCO Plascencia and Jonathan Glapion respectively), the general appearance of the book is surprisingly uncluttered. The artwork is detailed yet the line work is largely light and breezy. The colors stand out all the more vividly despite the general muted tone of the finished artwork. One particularly noteworthy aspect is the effects used to create the illusion of flickering firelight on a still page.
Bottom Line – if you haven’t been reading Dark Knights Metal, it isn’t too late to jump in on what will likely be the best event comic of 2017.
Written by The Critic The Internet Deserves, but not the one it needs right now…. Matt Morrison. He’s a smart-ass guardian. A sarcastic protector. A Snark Knight.