There is no real way to review Catwoman #1 without also discussing Batman #50 and the long awaited wedding of Bruce Wayne and Selina Kyle. The one informs the other, as the cover of Catwoman #1 helpfully informs the reader that they should read Batman #50 before opening it up.
This proves ironic, given that The New York Times spoiled the story of Batman #50 three days before it ever hit the shops! Despite this, I will endeavor to dance around any major spoilers in both books as best I can.
As a tribute to the relationship of Batman and Catwoman and the history of the two characters, Batman #50 is a smashing success, with much of the issue being devoted to Bruce and Selina’s thoughts about one another as we are treated to a historical montage of sorts, illustrated one page at a time, by some of the greatest Batman artists of all time.
As an actual story, however, Batman #50 doesn’t quite work. It’s anticlimactic, to put it mildly. The pageantry far outweighs the actual event. To put it plainly, this book isn’t worth the hype that has been invested in it.
Don’t get me wrong. Batman #50 is a beautiful book and there’s some poster-worthy artwork. Even the main story, as illustrated by Mikel Janin looks fantastic. Yet those who have a low tolerance for Tom King’s style of writing, where consistency of character is sacrificed for the sake of the story he wants to tell (as in his recent story where Booster Gold was turned into a complete idiot for the sake of a dark comedy), will not enjoy themselves here.
Ultimately, Batman #50 is a spectacle and nothing more. If you enjoy collectible covers and fine art, it’s well worth picking up. As an actual book, unfortunately, it leaves a lot to be desired.
There is a cruel irony that Catwoman #1 should be so closely tied to Batman #50. Much like how Selina Kyle is so much more interesting as a solo act than when she when she is joined at the hip to Bruce Wayne, so too is this book at its best when it is separated from its ties to Batman #50.
Thankfully, those ties are dealt with early on and we are soon thrown into a high-action adventure, where Selina Kyle is suddenly a wanted woman. It seems that some woman in a cat-suit is killing cops and the police are targeting the most obvious suspect, having also somehow learned Selina’s secret identity!
This is apparently the work of a mysterious new enemy named Riana Creel, whose motivations and reasons for holding a grudge against Catwoman are unclear. Raina is a striking character whose presence immediately grips you and it will be interesting to see her developed in the coming issues.
Joelle Jones spins a wonderful first issue, which, apart from the first few pages, stands strongly on its own terms, much like Catwoman herself. The artwork – also by Jones – is utterly amazing, with Laura Allred’s colors and Josh Reed’s letters providing the perfect finishes. The story flows naturally and smoothly from panel to panel and its hard to imagine any artist who was better born to draw Catwoman in action than Joelle Jones after reading this issue.
The only imperfection in this diamond is its unfortunate need to be placed in the setting of the fool’s gold ring that is Batman #50. Get past the first few pages, however, and you have one heck of a book that should be on everyone’s subscription list.
Batman #50 and Catwoman #1 releases on July 4, 2018!
Written by The Critic The Internet Deserves, but not the one it needs right now…. Matt Morrison. He’s a smart-ass guardian. A sarcastic protector. A Snark Knight.